The thing I hate about doing it with the tools that use midi for input (LFOTool, kickstart and volume shaper) is that you have to have a separate midi track for each instance of the SCing plug. This way you can shape the envelope properly. The only thing they missed is to click the scope button so you can see the wav and what the envelope is actually doing to the sound youre ducking. So learn how to use a few different methods and switch them out if one doesnt sound right to you.Īs much as I hate this company this is actually a decent tute for LFO tool. You can use any short snappy sound actually because you control the amount of ducking with the release on the comp doing the SC duties. Once I found a sound of chopsticks clicking in an illmind pack and used that as a trigger. This way if you adjust some track levels the SC comp is still hitting at the same amplitude. Note that I set the sc to prefader in the ableton comp. If I need to duck with the kick and snare Ill use the SC group as the trigger. When I need only to duck with the kick sound I feed the comp with the kick from the SC group. One will have my kick pattern midi and other will have the snare pattern. Ill have a SC group with a couple of simplers in it on separate tracks with the audio only going to sends but not routed to anything.Usually Im using a short closed hi hat sound as a trigger. But in my last couple of tracks Ive been using the stock ableton comps. I was using kickstart, then moved to volume shaper and LFOTool. If Im not happy with one method I'll try another. Some methods work better than others depending on the material. I use all (separately of course) depending. When you use LFO tool or Kickstart (a dumbed down version of Volume shaper) or Volumeshaper to sidechain we use midi to trigger it.
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